China Film Journal

彭韬凭《血蝉》获亚洲数码录像银奖 王小帅颁奖_影音娱乐_新浪网 via kwout

《血蝉》（Xue Chan/Little Moth) is a film about a girl that gets sold into slavery, joining one of those large beggars’ rings that anyone that’s spent any time living in and reading about urban China knows about. I had never heard of its director, Peng Tao (彭韬）until today, because while in Paris I went to an exhibition on China’s cities, and one of his films was showing there. The film was called “Wait” and was executive produced by Jia Zhangke and starred his leading lady, Zhao Tao. The film was about a woman with a young baby trying to make ends meet in Chongqing. Her husband is living in Pakistan and is absent throughout the film, echoing a theme found in Jia’s film Still Life. Her only form of communication comes in waiting at the post office for letters/mail that he might send, but of course, she never receives anything and then the post office ends up getting demolished (sorry for the spoiler, but the film is only 24 minutes long and being contemplative and arty doesn’t really have much of a plot to begin with). Her noodle stall gets demolished and so she’s forced to scrounge with work with a former patron who gives her some somewhat sketchy singing/karaoke type job, and that’s more or less where the movie concludes.

This was a short film, and it seems that Little Moth is the only feature length film that Peng Tao has made. As you can tell from the above picture though, it seems that he won an award (and was given that award from Wang Xiaoshuai, who is on the left). Googling in Englsih I found that he did indeed win the ,a href=”http://www.hkiff.org.hk/eng/programme/award01.php”>”Silver Digital Award” at the last Hong Kong International Film Festival.

I don’t know if any of his films are out on DVD in China, but would love to get a copy of Little Moth—I think I know what to expect, basically a bit of Jia Zhangke with a dash of Zhang Yang. Excuse me if I’m starting to sound a little cynical at this point, but hey, we all know what the Chinese arthouse is about. That doesn’t vitiate its value, by any means. Technorati Tags: china, peng tao, hong kong, HKIFF, little moth, slavery, beggars, china, chinese, society, awards, silver, zhao tao

Wong Kar-wai is celebrating the opening of his shit movie My Blueberry Nights in the US this Friday by selling some merchandise – most notably, $95 t-shirts, $50 posters, and $25 postcards. And if you want to thank him for ripping you off in person, you’ll get your chance in New York at a fashion boutique store called Opening Ceremony, where Wong is going to be on Wednesday afternoon. We hope that someone tells him that the US is facing a recessions and that the real incomes are not increasing for the average American. $25 for a postcard? You can get four lattes in Manhattan for that price! Sheesh!We’ve read a couple of blogs that have mentioned the Hong Kong International Film Festival, but here is yet another one from a blog dedicated to Asian Cinema. There are several movies mentioned in this post that we’re really looking forward to seeing, especially Old Fish, which was mentioned in several other blogs of HKIFF participants as well.From Screen Daily we learned that Summer Palace director Lou Ye’s new film, Bitch, was one of the films selected for the fourth Cannes Atelier. This year’s Atelier features 15 projects from 14 countries and aims to help directors get financing so that they can bring their projects to completion.

Last but not least, some cinematic dessert from YouTube: the top 10 Jackie Chan stunts. Not to be missed.

Cross-posted at Shanghaiist