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	<title>China Film Journal &#187; 香港</title>
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	<description>華語電影刊</description>
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		<itunes:subtitle></itunes:subtitle>
		<itunes:summary>Chinese language cinema around the world</itunes:summary>
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		<itunes:category text="Society &amp; Culture"/>
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		<title>轉載： 我的围城时代</title>
		<link>http://chinafilmjournal.com/2008/07/06/%e8%bd%89%e8%bc%89%ef%bc%9a-%e6%88%91%e7%9a%84%e5%9b%b4%e5%9f%8e%e6%97%b6%e4%bb%a3/</link>
		<comments>http://chinafilmjournal.com/2008/07/06/%e8%bd%89%e8%bc%89%ef%bc%9a-%e6%88%91%e7%9a%84%e5%9b%b4%e5%9f%8e%e6%97%b6%e4%bb%a3/#comments</comments>
		<pubDate>Sun, 06 Jul 2008 09:12:48 +0000</pubDate>
		<dc:creator>peijin</dc:creator>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[besieged city]]></category>
		<category><![CDATA[hong kong]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[new territories]]></category>
		<category><![CDATA[劉國昌]]></category>
		<category><![CDATA[古惑仔]]></category>
		<category><![CDATA[圍城]]></category>
		<category><![CDATA[新界]]></category>
		<category><![CDATA[香港]]></category>

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		<description><![CDATA[剛看了一個豆瓣上對《圍城》的影評。。。其實筆者談的不是電影而是自己的跟電影情節相似·的經歷。看來
這部電影能引起的共鳴不限于香港人而是所有目睹過青少年對彼此的殘酷。
I surfed across this randomly when looking for stuff relating to the film Besieged City. I thought this person would write about film, but it was more like the film inspired him to write some of his thoughts relating to violence among students (the movie is about gangs of kids in a Hong Kong New [...]<p><a href="http://sharethis.com/item?&#038;wp=2.9.2&#38;publisher=9925fcdf-e629-4912-8d77-78ce97303a6c&#38;title=%E8%BD%89%E8%BC%89%EF%BC%9A+%E6%88%91%E7%9A%84%E5%9B%B4%E5%9F%8E%E6%97%B6%E4%BB%A3&#38;url=http%3A%2F%2Fchinafilmjournal.com%2F2008%2F07%2F06%2F%25e8%25bd%2589%25e8%25bc%2589%25ef%25bc%259a-%25e6%2588%2591%25e7%259a%2584%25e5%259b%25b4%25e5%259f%258e%25e6%2597%25b6%25e4%25bb%25a3%2F">ShareThis</a></p>]]></description>
			<content:encoded><![CDATA[<p>剛看了一個豆瓣上對《圍城》的影評。。。其實筆者談的不是電影而是自己的跟電影情節相似·的經歷。看來<br />
這部電影能引起的共鳴不限于香港人而是所有目睹過青少年對彼此的殘酷。</p>
<p>I surfed across this randomly when looking for stuff relating to the <a href="http://www.douban.com/review/1421412/?from=mb-42872950">film <em>Besieged City</em>.</a> I thought this person would write about film, but it was more like the film inspired him to write some of his thoughts relating to violence among students (the movie is about gangs of kids in a Hong Kong New Territories housing project).<br />
看了电影，我只想说，他哥太软弱了。<br />
我也是做哥哥的人，自己的兄弟被欺负冷眼旁观简直不可容忍。<br />
本来生在那样的家庭里，还有个那样的父亲。两兄弟就已经很可怜了，然而却不知道相濡以沫，更是可悲。<br />
纵观全剧，只要前期有一个人能站出来帮助弟弟，可能就没有这部电影了。<br />
<span id="more-90"></span></p>
<p>另外，这就是现实。吃人的社会不是你吃人就是人吃你。<br />
你不吃人？OK。那么自然有人吃你而活。</p>
<p>一切的线索都是必然的结果，所以之前弟弟的环境造就之后的必然。<br />
有人说警察，学校？有个P用。<br />
老师也就是上班赚钱吃饭，他们就是混日子，一切以利益为主。难道给自己惹麻烦？<br />
也许有个别会说几句，那又有什么用？今天老师能按下去，明天呢？老师不再照样欺负你。而且会更狠！（如果有人打小报告，我就是要把人打残的人。）<br />
警察更是笑话。<br />
警察会管你学生之间打架闹事？你不是市长儿子，不是大款儿子，也没杀人事件他们有功夫管你？</p>
<p>有人恬不知耻的说夸张了，说只是少部分？只能说你们没有看过听过经历过。<br />
记得我上学那会儿，和电影里也差不多。但也算有些差别，因为内地对毒品或者‘糖’‘粉’管的严些，那些东西很少会去碰，可是身边也有吸的人。<br />
就校园暴力而言，我所在从小学到中专为止，班上总有几个是被虐的对象，谁都可以欺负他。吃屎的事情亦有人干过。<br />
当然我比较中立，一般不去管也不想管。<br />
可是不去管默默的向片中哥哥那样的角色你不找麻烦也会有麻烦来找你。<br />
记得我的一个兄弟比较狂的是，初二那年路过高二班级，在走廊上有个高二的撞了他一下被拉到厕所暴打一顿，结果被告了。<br />
学校不想闹大压下来，我朋友家陪了几百医药费，结果那天晚放晚自习，那高二的o(∩_∩)o&#8230;被火砖敲脑袋。我朋友放话他可以随便去报警，只要不怕治安十五天之后他会不会再被敲。<br />
高二男生沉默了。</p>
<p>要介绍一点，在我们这个小地方，我那朋友在外面有大哥罩。<br />
我和我那朋友从小学到初中三年都在一起，每次他出事我虽然从不动手也会去看看。所以我说电影里的故事不算夸张，只有少许政策不一的问题偏差。<br />
当然不想找麻烦麻烦也会来找我。<br />
也许我沉默的样子让人看着好欺负，学校里高一的一老大就找上了我，介绍一下，那小子也算在我们那小镇上有些关系，他的哥哥算是说得上话的。<br />
结果我被打了……55555.只能说有些轻敌被堵了个正着。虽然我被打是没办法，毕竟他那方拉了十多个人，不过我相信那小子伤得比我轻不了。。。哼哼，我对他也下狠手打。<br />
第二天就有，校门口四十号人要来堵我。<br />
正巧，老虎不发威当我病猫了，我正想找回场子他来的比我还快。<br />
一个电话我找了我表哥，那小子的靠山是见我表哥还要点头哈腰的角色。结果对方拉来的四十号人，在我表哥一句话之下，统一倒戈，矛头指向了对方。那小子连他那靠山听说一共缝了六十二针，脸被啤酒瓶砸破相了。</p>
<p>（以上全属亲身经历，并非杜撰，不信者也随便。）</p>
<p>我还是默默的装B从不惹事，不过自从出了那件事后，我也全校出名了，结果再没人惹我，我也到平淡的过完了初中三年，平时娱乐活动还是跟着去看我那朋友怎么嚣张。<br />
我那朋友名气到也越来越大，想跟他混的小弟也越来越多。</p>
<p>这却是一座‘围城’<br />
外面的人想进去，里面的人想出来。</p>
<p>当我出那件事后，有很多同学朋友想跟我的，他们执着的想出名，想横着走，想看谁不顺眼就打谁。</p>
<p align="left"> 当我离开那座学校的一年后，我听说我那朋友腿被打断了，下半生要靠轮椅走路…</p>
]]></content:encoded>
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		<item>
		<title>Asian Film Awards and financing news</title>
		<link>http://chinafilmjournal.com/2008/03/20/asian-film-awards-and-financing-news/</link>
		<comments>http://chinafilmjournal.com/2008/03/20/asian-film-awards-and-financing-news/#comments</comments>
		<pubDate>Wed, 19 Mar 2008 18:43:38 +0000</pubDate>
		<dc:creator>peijin</dc:creator>
				<category><![CDATA[Film News]]></category>
		<category><![CDATA[asia]]></category>
		<category><![CDATA[asian]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[financing]]></category>
		<category><![CDATA[HAF]]></category>
		<category><![CDATA[hong kong]]></category>
		<category><![CDATA[huang qiusheng]]></category>
		<category><![CDATA[investing]]></category>
		<category><![CDATA[joe odagiri]]></category>
		<category><![CDATA[lee kangsheng]]></category>
		<category><![CDATA[taiwan]]></category>
		<category><![CDATA[tsai mingliang]]></category>
		<category><![CDATA[YU likwai]]></category>
		<category><![CDATA[亞洲]]></category>
		<category><![CDATA[余力為]]></category>
		<category><![CDATA[台灣]]></category>
		<category><![CDATA[基金]]></category>
		<category><![CDATA[小田切讓]]></category>
		<category><![CDATA[巴西]]></category>
		<category><![CDATA[幫幫我愛神]]></category>
		<category><![CDATA[李康生]]></category>
		<category><![CDATA[蔡明亮]]></category>
		<category><![CDATA[電影節]]></category>
		<category><![CDATA[香港]]></category>
		<category><![CDATA[黃奕]]></category>
		<category><![CDATA[黃秋生]]></category>

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		<description><![CDATA[We came across some interesting tidbits in the news  today. First off, Yu Lik-wai (余力為) the Hong Kong director/cinematographer that lensed most of Jia Zhangke&#8217;s movies, will be starting principal shooting on his new film Plastic City 《塑料城市》. This film is a 2006 Hong Kong-Asia Film Financing Forum alumni, and will begin shooting in [...]<p><a href="http://sharethis.com/item?&#038;wp=2.9.2&#38;publisher=9925fcdf-e629-4912-8d77-78ce97303a6c&#38;title=Asian+Film+Awards+and+financing+news&#38;url=http%3A%2F%2Fchinafilmjournal.com%2F2008%2F03%2F20%2Fasian-film-awards-and-financing-news%2F">ShareThis</a></p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://chinafilmjournal.com/wp-content/uploads/2008/03/helpmeerosleekangshengtaiwanhaf.jpg" title="Help Me Eros film still movie" class="right"><img src="http://chinafilmjournal.com/wp-content/uploads/2008/03/helpmeerosleekangshengtaiwanhaf.jpg" alt="Help Me Eros film still movie" /></a>We came across some interesting tidbits in the <a href="http://www.chinanews.com.cn/yl/dyzx/news/2008/03-18/1194827.shtml">news </a> today. First off, Yu Lik-wai (余力為) the Hong Kong director/cinematographer that lensed most of Jia Zhangke&#8217;s movies, will be starting principal shooting on his new film <a href="http://www.imdb.com/title/tt1054119/combined"><em>Plastic City</em> 《塑料城市》</a>. This film is a 2006 <a href="http://eexpohk.tdctrade.com/release3.htm">Hong Kong-Asia Film Financing Forum</a> alumni, and will begin shooting in Sao Paolo, Brazil — a location which intrigues us very , very much. We didn&#8217;t find out what the movie was about, but it&#8217;s been said that it will involve actors Anthong Wong (黄秋生) and Huang Yi (黄奕), and Japanese actor <a href="http://et.21cn.com/star/zhuixing/rihan/2008/02/19/4354383.shtml">Joe Odagiri (小田切讓)</a> — reports say that the film is a Chinese/Japanese co-production.</p>
<p>The other piece of news that we found interesting was that another HAF alum, the Taiwanese actor/director Lee Kangsheng (李康生), is screening his movie at the film festival in Hong Kong. The movie is called <a href="http://www.dianying.com/en/title/21088"><em>Help Me Eros</em> (幫幫我愛神)</a>, was directed by and stars Lee Kangsheng, and was produced and art directed by his long-time collaborator and mentor, Tsai Mingliang (蔡明亮). They say the film features a lot of brooding, melancholy, alienation, and graphic sex — which is not surprising, given the two guys behind it. Should be a good one. We&#8217;ll be looking out for it on the DVD shelves in Shanghai soon.</p>
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<p class="buymebeer"><form action="https://www.paypal.com/cgi-bin/webscr" target="paypal" method="post"><input type="hidden" name="cmd" value="_xclick" /><input type="hidden" name="business" value="peijin@gmail.com" /><input type="hidden" name="return" value="Thanks for supporting a good cause!" /><input type="hidden" name="item_name" value="Buy Me a Beer for Asian Film Awards and financing news" /><input type="hidden" name="currency_code" value="" /><input type="hidden" name="amount" value="" /><input type="image" src="http://chinafilmjournal.com/wp-content/plugins/buy-me-beer/icon_beer.gif" align="left" alt="" title="" hspace="3" /></form><a href="https://www.paypal.com/cgi-bin/webscr?cmd=_xclick&amp;business=peijin@gmail.com&amp;currency_code=&amp;amount=&amp;return=Thanks for supporting a good cause!&amp;item_name=Buy+Me+a+Beer+for+Asian+Film+Awards+and+financing+news" target="paypal"></a></p>]]></content:encoded>
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		<title>Vision Beijing films premiere, and all of them suck.</title>
		<link>http://chinafilmjournal.com/2008/03/11/vision-beijing-films-premiere-and-all-of-them-suck/</link>
		<comments>http://chinafilmjournal.com/2008/03/11/vision-beijing-films-premiere-and-all-of-them-suck/#comments</comments>
		<pubDate>Mon, 10 Mar 2008 18:06:08 +0000</pubDate>
		<dc:creator>peijin</dc:creator>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Film News]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[andrew lau]]></category>
		<category><![CDATA[beijing]]></category>
		<category><![CDATA[china]]></category>
		<category><![CDATA[daryl goodrich]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[majidi]]></category>
		<category><![CDATA[olympics]]></category>
		<category><![CDATA[patrice leconte]]></category>
		<category><![CDATA[vision beijing]]></category>
		<category><![CDATA[伊朗]]></category>
		<category><![CDATA[刘伟强]]></category>
		<category><![CDATA[北京]]></category>
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		<category><![CDATA[导演]]></category>
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		<category><![CDATA[映像]]></category>
		<category><![CDATA[法国]]></category>
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		<guid isPermaLink="false">http://chinafilmjournal.com/2008/03/11/vision-beijing-films-premiere-and-all-of-them-suck/</guid>
		<description><![CDATA[The idea is simple: get five internationally reknowned directors to make short, impressionistic films about Beijing, showing the people of Beijing in their everyday lives and as they prepare for the Olympics—and in the kindest light possible. The five filmmakers were: Patrice Leconte (France), Andrew Lau (Hong Kong/China), Majid Majidi (Iran), Giuseppe Tornatore (Italy), and [...]<p><a href="http://sharethis.com/item?&#038;wp=2.9.2&#38;publisher=9925fcdf-e629-4912-8d77-78ce97303a6c&#38;title=Vision+Beijing+films+premiere%2C+and+all+of+them+suck.&#38;url=http%3A%2F%2Fchinafilmjournal.com%2F2008%2F03%2F11%2Fvision-beijing-films-premiere-and-all-of-them-suck%2F">ShareThis</a></p>]]></description>
			<content:encoded><![CDATA[<p><embed src="http://player.youku.com/player.php/Type/Folder/Fid/1426995/Ob/9/Pt/3/sid/XMjAxNDE5NDQ=/v.swf" width="480" height="400" align="right" quality="high" allowscriptaccess="allways" mode="transparent" type="application/x-shockwave-flash"></embed>The idea is simple: get five internationally reknowned directors to make short, impressionistic <a href="http://www.chinadaily.com.cn/olympics/2008-03/03/content_6503576.htm">films about Beijing</a>, showing the people of Beijing in their everyday lives and as they prepare for the Olympics—and in the kindest light possible. The five filmmakers were: Patrice Leconte (France), Andrew Lau (Hong Kong/China), Majid Majidi (Iran), Giuseppe Tornatore (Italy), and  Daryl Goodrich (UK). You can find a rundown of each film&#8217;s style and content as well as a link to each one.Whatever their differences in style and subject matter, they are all undeniably and unforgivably cheesy, like postcards of moving images. They remind us of those insipid China Eastern Airlines commercials—except worse—because you have to take into account that these were made by men (not a woman in the bunch) that have, at some point in their lives, made films that were actually fit for human consumption.There&#8217;s a little voice inside our head that tells us that no one likes the guy that takes things a bit too seriously and can&#8217;t see the light-hearted side of things—it&#8217;s the Olympics for chrissakes, Pollyannish is to be expected, Olympic-colored balloons can and should rise and form the Olympic rings in the azure sky. At the same time, there was another little voice in our head that it&#8217;s also okay for us to slightly downgrade our respect for directors, renowned or not, that strew this kind of filmic excrement over our collective sidewalk. These artists <em>are</em> kinda sucking CCP cock, aren&#8217;t they? Okay, we know this ain&#8217;t Cannes, and that it might be considered an honor by some to be allowed to make <a href="http://www.youku.com/playlist_show/id_1426995.html">promotional films</a> for the Olympic Games. But seriously, is banality the new language of ideology? Please, show us more people striking on drums and practicing tai-chi in the park. And throw in some cute little Chinese kids while you&#8217;re at it. Sorry, &lt;/end_rant_here&gt;. We&#8217;ll start taking our meds again, we promise.</p>
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