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	<title>Comments for China Film Journal</title>
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	<link>http://chinafilmjournal.com</link>
	<description>華語電影刊</description>
	<pubDate>Fri, 10 Oct 2008 22:19:28 +0000</pubDate>
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		<title>Comment on 轉載： 我的围城时代 by Edwin</title>
		<link>http://chinafilmjournal.com/2008/07/06/%e8%bd%89%e8%bc%89%ef%bc%9a-%e6%88%91%e7%9a%84%e5%9b%b4%e5%9f%8e%e6%97%b6%e4%bb%a3/#comment-29</link>
		<dc:creator>Edwin</dc:creator>
		<pubDate>Sun, 06 Jul 2008 13:08:58 +0000</pubDate>
		<guid isPermaLink="false">http://chinafilmjournal.com/2008/07/06/%e8%bd%89%e8%bc%89%ef%bc%9a-%e6%88%91%e7%9a%84%e5%9b%b4%e5%9f%8e%e6%97%b6%e4%bb%a3/#comment-29</guid>
		<description>Am delighted that you have covered &lt;i&gt;Besieged City&lt;/i&gt;, Peijin. I've enjoyed your thoughts on this film. Particularly, as I am currently preparing a dissertation on films and issues surrounding Tin Shui Wai. Which presently is a ticklish subject not just in Hong Kong's formal politics, but an ethical currency in society in general. What is noteworthy is that three films (including this one) responded so quickly to it, &lt;a href="http://fasterthaninstantnoodles.blogspot.com/2008/03/tin-shui-wai-in-film-hong-kong.html" rel="nofollow"&gt;here was an initial post (initial) I wrote on the topic&lt;/a&gt;, during the build up to last HKIFF, where all three were premiered. Needless to say, I'm anticipating this film, and am awaiting my copy.</description>
		<content:encoded><![CDATA[<p>Am delighted that you have covered <i>Besieged City</i>, Peijin. I&#8217;ve enjoyed your thoughts on this film. Particularly, as I am currently preparing a dissertation on films and issues surrounding Tin Shui Wai. Which presently is a ticklish subject not just in Hong Kong&#8217;s formal politics, but an ethical currency in society in general. What is noteworthy is that three films (including this one) responded so quickly to it, <a href="http://fasterthaninstantnoodles.blogspot.com/2008/03/tin-shui-wai-in-film-hong-kong.html" rel="nofollow">here was an initial post (initial) I wrote on the topic</a>, during the build up to last HKIFF, where all three were premiered. Needless to say, I&#8217;m anticipating this film, and am awaiting my copy.</p>
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		<title>Comment on John Woo: Red Cliff must go on&#8230; by John Woo: Red Cliff must go on&#8230; : a shameful waste of madhouse time</title>
		<link>http://chinafilmjournal.com/2008/06/11/john-woo-red-cliff-must-go-on/#comment-28</link>
		<dc:creator>John Woo: Red Cliff must go on&#8230; : a shameful waste of madhouse time</dc:creator>
		<pubDate>Wed, 11 Jun 2008 06:56:41 +0000</pubDate>
		<guid isPermaLink="false">http://chinafilmjournal.com/2008/06/11/john-woo-red-cliff-must-go-on/#comment-28</guid>
		<description>[...] June 11, 2008 &#124; Filed Under China, film photography media&#160; Cross-posted at China Film Journal [...]</description>
		<content:encoded><![CDATA[<p>[...] June 11, 2008 | Filed Under China, film photography media&nbsp; Cross-posted at China Film Journal [...]</p>
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		<title>Comment on Jia Zhangke, Jet Li, and the Sichuan Earthquake by Shanghaibaby</title>
		<link>http://chinafilmjournal.com/2008/05/22/jia-zhangke-jet-li-and-the-sichuan-earthquake/#comment-25</link>
		<dc:creator>Shanghaibaby</dc:creator>
		<pubDate>Wed, 21 May 2008 19:10:04 +0000</pubDate>
		<guid isPermaLink="false">http://chinafilmjournal.com/2008/05/22/jia-zhangke-jet-li-and-the-sichuan-earthquake/#comment-25</guid>
		<description>Jet Li is starring in the latest "Mummy" franchise with Michelle Yeoh, to be released this summer. Maybe you talked about it on this site.</description>
		<content:encoded><![CDATA[<p>Jet Li is starring in the latest &#8220;Mummy&#8221; franchise with Michelle Yeoh, to be released this summer. Maybe you talked about it on this site.</p>
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		<title>Comment on The World is Not Enough: Has Jia Zhangke Permanently Left the Art House? by clark</title>
		<link>http://chinafilmjournal.com/2008/03/26/the-world-is-not-enough-has-jia-zhangke-permanently-left-the-art-house/#comment-17</link>
		<dc:creator>clark</dc:creator>
		<pubDate>Mon, 31 Mar 2008 09:47:35 +0000</pubDate>
		<guid isPermaLink="false">http://chinafilmjournal.com/2008/03/26/the-world-is-not-enough-has-jia-zhangke-permanently-left-the-art-house/#comment-17</guid>
		<description>I don't understand why they put Jay in it</description>
		<content:encoded><![CDATA[<p>I don&#8217;t understand why they put Jay in it</p>
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		<title>Comment on The World is Not Enough: Has Jia Zhangke Permanently Left the Art House? by peijin</title>
		<link>http://chinafilmjournal.com/2008/03/26/the-world-is-not-enough-has-jia-zhangke-permanently-left-the-art-house/#comment-16</link>
		<dc:creator>peijin</dc:creator>
		<pubDate>Wed, 26 Mar 2008 19:34:49 +0000</pubDate>
		<guid isPermaLink="false">http://chinafilmjournal.com/2008/03/26/the-world-is-not-enough-has-jia-zhangke-permanently-left-the-art-house/#comment-16</guid>
		<description>i don't think Jay's performance was really decent in Curse...it was passable at best. I don't think Jia will completely sell out, but i think he does want to build a better relationship with the "establishment"--if that means doing Olay commercials as well as appearing in China Mobile commercials (i saw it twice, but never in Shanghai, it was some other city), then whatever floats his boat. The latter commercial kinda annoyed me, as at the time I felt he had more "purity" to protect. As a filmmaker, he doesnt want to paint himself into a corner. He might believe, rightly, that there are more options when there are more doors open to you. who knows.</description>
		<content:encoded><![CDATA[<p>i don&#8217;t think Jay&#8217;s performance was really decent in Curse&#8230;it was passable at best. I don&#8217;t think Jia will completely sell out, but i think he does want to build a better relationship with the &#8220;establishment&#8221;&#8211;if that means doing Olay commercials as well as appearing in China Mobile commercials (i saw it twice, but never in Shanghai, it was some other city), then whatever floats his boat. The latter commercial kinda annoyed me, as at the time I felt he had more &#8220;purity&#8221; to protect. As a filmmaker, he doesnt want to paint himself into a corner. He might believe, rightly, that there are more options when there are more doors open to you. who knows.</p>
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		<title>Comment on The World is Not Enough: Has Jia Zhangke Permanently Left the Art House? by Edwin</title>
		<link>http://chinafilmjournal.com/2008/03/26/the-world-is-not-enough-has-jia-zhangke-permanently-left-the-art-house/#comment-15</link>
		<dc:creator>Edwin</dc:creator>
		<pubDate>Wed, 26 Mar 2008 12:07:59 +0000</pubDate>
		<guid isPermaLink="false">http://chinafilmjournal.com/2008/03/26/the-world-is-not-enough-has-jia-zhangke-permanently-left-the-art-house/#comment-15</guid>
		<description>I share, with the interviewer, the same apprehension.  The purity of underground status rarely lasts long anyhow. If there is any consolation in the matter, it should be the hope that Jia has the integrity to maintain his undiluted vision whatever the situation. Also, I think Jay Chou, despite his 'biggest pop star in Asia' reputation was able to put in a rather decent performance, as witnessed in Curse of The Golden Flower. Fascinated now to see how Age of Tattoo will result.</description>
		<content:encoded><![CDATA[<p>I share, with the interviewer, the same apprehension.  The purity of underground status rarely lasts long anyhow. If there is any consolation in the matter, it should be the hope that Jia has the integrity to maintain his undiluted vision whatever the situation. Also, I think Jay Chou, despite his &#8216;biggest pop star in Asia&#8217; reputation was able to put in a rather decent performance, as witnessed in Curse of The Golden Flower. Fascinated now to see how Age of Tattoo will result.</p>
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		<title>Comment on Opinion: Ang Lee, Lust, Caution and the Chinese media by peijin</title>
		<link>http://chinafilmjournal.com/2008/03/18/opinion-ang-lee-lust-caution-and-the-chinese-media/#comment-13</link>
		<dc:creator>peijin</dc:creator>
		<pubDate>Tue, 18 Mar 2008 09:11:47 +0000</pubDate>
		<guid isPermaLink="false">http://chinafilmjournal.com/2008/03/18/opinion-ang-lee-lust-caution-and-the-chinese-media/#comment-13</guid>
		<description>i didn't like the movie that much either, i just didn't think the acting was all that moving, and neither was the dialogue that great, and personally, those two things are usually what win me over to a movie. Regarding Lee's remarks, i think it was just one of those almost slip of the tongue type things, but of course some people in the Chinese media latched onto it and dry-humped it like a dog on a leg. I just think it's a bit disingenuous to seize on some of his remarks while ignoring the larger, more pertinent issue--which is why the government makes an ass of itself with these regulations.</description>
		<content:encoded><![CDATA[<p>i didn&#8217;t like the movie that much either, i just didn&#8217;t think the acting was all that moving, and neither was the dialogue that great, and personally, those two things are usually what win me over to a movie. Regarding Lee&#8217;s remarks, i think it was just one of those almost slip of the tongue type things, but of course some people in the Chinese media latched onto it and dry-humped it like a dog on a leg. I just think it&#8217;s a bit disingenuous to seize on some of his remarks while ignoring the larger, more pertinent issue&#8211;which is why the government makes an ass of itself with these regulations.</p>
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		<title>Comment on Opinion: Ang Lee, Lust, Caution and the Chinese media by trevelyan</title>
		<link>http://chinafilmjournal.com/2008/03/18/opinion-ang-lee-lust-caution-and-the-chinese-media/#comment-12</link>
		<dc:creator>trevelyan</dc:creator>
		<pubDate>Tue, 18 Mar 2008 03:54:28 +0000</pubDate>
		<guid isPermaLink="false">http://chinafilmjournal.com/2008/03/18/opinion-ang-lee-lust-caution-and-the-chinese-media/#comment-12</guid>
		<description>Lust Caution was a mediocre film by most measures. Assuming the film was intending to communicate with its audience, we should take it for granted that Lee would consider audience indifference a shame. His statement would be damning if he were calling his own work irrelevant.</description>
		<content:encoded><![CDATA[<p>Lust Caution was a mediocre film by most measures. Assuming the film was intending to communicate with its audience, we should take it for granted that Lee would consider audience indifference a shame. His statement would be damning if he were calling his own work irrelevant.</p>
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		<title>Comment on Americans filming China&#8217;s &#8220;movers and shakers.&#8221; Yawn. by erick</title>
		<link>http://chinafilmjournal.com/2008/03/16/americans-filming-chinas-movers-and-shakers-yawn/#comment-11</link>
		<dc:creator>erick</dc:creator>
		<pubDate>Sun, 16 Mar 2008 16:45:41 +0000</pubDate>
		<guid isPermaLink="false">http://chinafilmjournal.com/2008/03/16/americans-filming-chinas-movers-and-shakers-yawn/#comment-11</guid>
		<description>I got this feeling 4 years ago when during a diving promo Bob Costas announced: "This ain't your father's China!"</description>
		<content:encoded><![CDATA[<p>I got this feeling 4 years ago when during a diving promo Bob Costas announced: &#8220;This ain&#8217;t your father&#8217;s China!&#8221;</p>
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		<title>Comment on Vision Beijing films premiere, and all of them suck. by Adsotrans &#187; Blog Archive &#187; China Film Review</title>
		<link>http://chinafilmjournal.com/2008/03/11/vision-beijing-films-premiere-and-all-of-them-suck/#comment-10</link>
		<dc:creator>Adsotrans &#187; Blog Archive &#187; China Film Review</dc:creator>
		<pubDate>Fri, 14 Mar 2008 04:32:47 +0000</pubDate>
		<guid isPermaLink="false">http://chinafilmjournal.com/2008/03/11/vision-beijing-films-premiere-and-all-of-them-suck/#comment-10</guid>
		<description>[...] that&#8217;s newsworthy but doesn&#8217;t otherwise make the news, and they&#8217;re not afraid to speak their minds in defense of meaningful public [...]</description>
		<content:encoded><![CDATA[<p>[...] that&#8217;s newsworthy but doesn&#8217;t otherwise make the news, and they&#8217;re not afraid to speak their minds in defense of meaningful public [...]</p>
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